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Ensembles-in-Residence

David from the St Cecilia windowSaint Ignatius of Antioch Episcopal Church is pleased to be home (or home-away-from-home) to several distinguished vocal ensembles. These ensembles-in-residence rehearse and perform in the church and, as part of their relationship with the parish, each year usually offer their vocal talents and perform the liturgical music at Solemn Mass on a week-day feast. We are pleased that they all participate in our arts ministry.

Amuse is a 16-voice women’s ensemble founded by Lee Ryder in the fall of 2002 to bring music for women’s voices to New York audiences. An often overlooked area of choral literature, this repertory comprises works written throughout the last 12 centuries by well-known composers, including many new contemporary works for written in the last 50 years.

Amor Artis is one of the first and foremost presenters in New York of lesser-known Baroque masterpieces, Amor Artis has distinguished itself through authentic versions in style and setting. It has achieved considerable recognition internationally through its many concerts and extensive discography, encompassing more than forty recordings.

Blue Heron is a vocal ensemble that combines a commitment to vivid live performance with the study of original source materials and historical performance practice. Blue Heron’s principal repertoire interests are fifteenth-century English and Franco-Flemish polyphony; and neglected early sixteenth-century English music, especially the rich and unexplored repertory of the Peterhouse partbooks (c. 1540). Founded in 1999, its first CD, featuring music by Guillaume Du Fay, was released in March of 2007 on the Blue Heron label.

Canticum Novum is now in its 34th season under the direction of its founder, Harold Rosenbaum. This chamber choir has achieved both national and international recognition for its stylistic versatility, vocal blend, and expressive range. The group has performed in all of New York’s major concert halls and has collaborated with prominent New York area orchestras.

Cascata is known for their performances of seventeenth-century dramatic vocal music and virtuosic instrumental repertoire. The group represents the newest generation of accomplished early music performers.

Cerddorion is a mixed chamber choir dedicated to outstanding performances of adventurous programs that span the breadth of the choral repertoire from medieval polyphony to new compositions. As befits its name (cerddorion is Welsh for “musicians”), the ensemble aspires to musicianship in the fullest sense, using the human voice to explore and fulfill the expressive potential of the art.

Polyhymnia is a small ensemble of singers and instrumentalists focusing on historically informed performance of sacred music from the courts and cathedrals of the Renaissance world. Director John Bradley has been creating original editions of music for the ensemble to both preserve and reintroduce choral masterworks of the Renaissance and early Baroque in ways that both entertain and elucidate.

Lionheart is one of America's leading ensembles in vocal chamber music, best known for its interpretation of medieval and Renaissance a cappella music, with Gregorian Chant as the keystone of its repertoire. The ensemble also collaborates with instrumental ensembles, dance companies, and contemporary composers.

Tenet. Praised for their “purity of tone, clarity of diction, and blended ensemble” (Fanfare),  Tenet is composed of renowned singers who are equally at home performing in ensembles and as soloists.   They offer virtuosic programs sung one voice to a part that span several centuries, while often juxtaposing early and modern music.

New York Virtuoso Singers. Founded in 1988 by conductor Harold Rosenbaum, the group has become this country’s leading exponent of contemporary choral music with an emphasis is on commissioning, performing and recording the music of American composers. NYVS has twice received the prestigious ASCAP-Chorus America “Award for Adventuresome Programming of Contemporary Music,” and has been given Chorus America’s “American Choral Works Performance Award.”

The image above depicts King David playing his harp and is a detail from the Saint Cecilia window in the former choir loft.

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